Showing posts with label immigration. Show all posts
Showing posts with label immigration. Show all posts

Speaking in Tongues

Directed by Marcia Jarmel and Ken Schneider
PatchWorks Films



The award-winning documentary Speaking in Tongues spells out an intriguing paradox of America’s identity: Although we’re a nation that prides itself on diversity, we also militantly cling to monolingual education at the expense of culture, communication, and even academic achievement.

Speaking in Tongues follows four San Francisco children, all of whom attend either a Spanish or Chinese immersion public school: a young African-American boy who lives in public housing but is gaining fluency at his Chinese school; a Chinese-American girl who is one of the only people in her family who can communicate with her grandmother; a Caucasian boy who tests out his Mandarin on a trip to China; and a Mexican-American boy who is the first in his family to learn to read and write Spanish, in addition to English.

The naysayers of immersion programs—at least the ones quoted in this film—warn about the United States becoming a Tower of Babel, or that learning other languages is a waste of tax dollars when children should be learning English. But what this film shows, mostly with statistics and interviews with experts, is that kids who continue academic learning of their mother tongue learn better English, perform better academically overall, and are much less likely to drop out of school. There’s also a huge distinction between speaking another language at home and learning that language academically. Students who have oral bilingual skills are doubling their proficiency if they learn their native language academically instead of just informally. And children whose mother tongue is English benefit academically from early bilingual education, too. They’ve acquired language skills early in life that will be sought-after when they enter the workforce.

The film makes great arguments—illustrated by lovable kids and their earnest families—for why bilingual education should be a priority in the United States as it is in other countries. The film uses interesting quotes about immigration, English-only legislation, and education against eye-catching graphics. A segment of educators talking about the languages spoken in their school systems, animated onto a map of the United States, was an especially interesting visual.

From a feminist viewpoint, it’s impossible to know why the filmmakers chose to follow three boys and only one girl. Surely they had their reasons, but it would have been nice to see the experience of a Latina or African American girl, especially since the education achievement gap is currently skewed for both ethnic groups, on top of the achievement gap between girls and boys.

Regardless, Speaking in Tongues is a great film that focuses on the benefits of being bilingual without delving into other, potentially more sensitive political issues like immigration, racism and xenophobia, all of which intersect with English-only politics.

Review by Hannah Moulton Belec

Entre Nos

Directed by Gloria La Morte and Paola Mendoza
IndiePix Studios



Mariana and her children, Gabriel and Andrea, are stranded in New York City. Two weeks after her husband Antonio asked them to leave their native Colombia and join him in Queens after a lengthy separation, he left $50 in an envelope, headed for Miami, and stopped answering his phone. A family friend tells Mariana that he isn’t coming home.

Undocumented and completely broke, Mariana tries to sell homemade empanadas on the streets while also accepting random jobs as they come. On one occasion, she’s forced to leave the kids home alone while she goes out for a few hours to take day work as a dishwasher. Kids being kids, they lay around teaching each other curse words in English until a friend comes by with a better offer, and they all sneak out to take an illicit dip in an elderly neighbor’s pool. Racing home after they’re discovered and chased away by an angry old man, they’re only seconds ahead of their mother on the subway platform, who witnesses them out alone in public. Clearly terrified for her children’s safety and of the U.S. authorities, she barges into their tiny apartment moments after her children, shouting at Gabi that in this country, they take children away from their parents.

Though their circumstances are often dire, the bond depicted between Mariana, Andrea, and Gabriel is remarkable. Overcoming a seemingly endless stream of difficulties along the way, Gabi pitches in to help the family survive, collecting cans when Mariana is too sick or exhausted to do it herself. And while the ways in which Mariana sacrifices for her children are clear, there are also lovely examples like when she pays for the kids to see a movie together. The $21 entrance fee for three is a bit steep, but she can shell out enough for the two of them and makes them swear to meet her out front the moment the film is over. They shriek in agreement as they race into the air-conditioned building as she calls after them, "Te quiero!"

Co-director Paola Mendoza is largely responsible for honoring the depictions of the struggling immigrant mother and her young children; the story is based on her own family’s struggle, a tribute to her mother. Entre Nos is very visually pleasing, expertly edited and strikingly beautiful despite the pain it depicts. Scenes of quintessential American poverty loom throughout, like neighbor women sharing at-home abortion tips on the sly or when the small family stands timidly outside the emergency room after Gabi hurt his leg until Mariana offers to “wash it at home” before they retreat back into the night. Whether they’re afraid of being deported or because they simply can’t afford the medical bills, the scene is an important reminder of how poverty and immigration are often deeply intertwined.

The film weaves themes of homelessness and the camaraderie of the streets with universal depictions of the strength and resilience of single mothers and their innocent, precocious children. It also reminds you that even if life as an undocumented immigrant seems unbearable, even if you want to go home, you may not be able to afford to turn around.

Review by Brittany Shoot