Video Slut: How I Shoved Madonna Off an Olympic High Dive, Got Prince into a Pair of Tiny Purple Woolen Underpants, Ran Away ...

By Sharon Oreck
Faber & Faber

Sharon Oreck has the career that any child of the ‘80s would envy. She has produced over 600 music videos, many of which defined the monolithic “MTV generation.” She has been nominated for Oscars, Grammys, Women in Film awards, and of course, MTV Music Awards (twenty total!). From 1984 to 2000, Oreck’s work was a model for the visual repertoire that shaped the collective imagination of teens around the globe. Her role in popular culture is so far-reaching that she has been included in a film alongside such figures as Hillary Rodham Clinton (14 Women).

The majority of Oreck’s memoir relates events that occurred while shooting Sheila E.’s "The Glamorous Life," Aha’s "Take on Me," Madonna’s "Like a Prayer," and my personal favorite, Chris Isaak’s "Wicked Game." Upon viewing the videos, Oreck’s talent is immediately obvious. But what was she thinking when she was shooting? Apparently, she was thinking about a lot.

Reproductive rights, feminism, beauty—these are just a few of the topics that Oreck contemplates in Video Slut. Her most empowering moments as a writer occur during the introspective climax, which pairs her decision as a pregnant teen to keep her baby with the demise of her first production company, NO Pictures.

Oreck’s book is written in a tips-from-your-cool-older-sister style. Oreck spares no details and even offers pointers for making it in the scantily clad rock video world—most importantly, don’t make fun of executives until after they’ve left the room. More notably, this narrative updates the classic format for celebrity memoirs by exchanging the contexts of alternating chapters between a video career and an early pregnancy at sixteen. Video Slut puts the spotlight on the largely undocumented moments during video’s heyday—overqualified assistants, moonlighting pot dealers, egotistical bigwigs, and pop stars are the mediums through which Oreck relates her professional and personal milestones.

This is one of the most likable new books that I have read, and I look forward to more of Oreck’s outstanding work; her experiences combine elements of after-hours stand-up comedy, frank confessionals, and visionary strategies for survival when the odds don’t look so good. After all, that’s what petty cash is for, right?

Review by Maria Guzman

The Trump Card: Playing to Win in Work and Life

By Ivanka Trump
Touchstone

I’ve always admired Ivanka Trump. As the Vice President of Real Estate and Acquisitions for the Trump Organization and owner of her own luxury jewelry line, I look to her as a role model. Her first foray into literature has been wildly successful, landing on the New York Times Bestseller List and garnering praise from the publishing community. Although the book starts out promising enough, with Trump refusing to apologize for the advantages she has enjoyed, her sage and learned advice begins to take a backdrop to anecdotes about her privilege.

Throughout the book, Trump attempts to prove that her success is not a product of her family name but of her hard work. This assertion, however, is undermined by constant references to her less-than-ordinary upbringing. Few if any people other than Ivanka Trump can boast that Michael Jackson attended their childhood ballet recital, nor could they brag about having a “part-time job” as a world-class fashion model while in school. Many of Trump’s youthful recollections involve some of the most influential people in the world and, while fascinating to read, discredit the notion that hard work will yield success similar to Trump’s.

Contrary to Trump’s belief, her career trajectory cannot be credited to hard work, at least not exclusively. Her refusal to acknowledge that high profile connections have played a role in her development is absurd. Prior to graduating from college, Trump was offered an internship at Vogue by Anna Wintour, the magazine’s editor-in-chief. I sincerely doubt that even the most brilliant fashion journalist with limited connections would be offered such a coveted position from the editor herself—and prior to graduation, no less.

It’s true that Trump’s successes are her own, but her book overlooks the fact that success comes from being in the right place at the right time, and is dependent upon having the opportunity to excel. Trump tries to downplay this notion, but I believe it is something that she understands intrinsically. Her book is called The Trump Card after all, undoubtedly a strategic decision to capitalize off of her family’s famous name. Branding the book as “Trump certified” probably didn’t hinder her chances of securing a publisher, either.

The Trump Card is an interesting read, but it is misleading to categorize it as “business and economics” literature. While the book offers generic career advice, it mainly serves to remind the reader that with hard work and persistence anyone can achieve extraordinary success, provided that they have a billionaire father.

Review by Cheryl Santa Maria