Moonrise: The Power of Women Leading from the Heart

Edited by Nina Simons with Anneke Campbell
Park Street Press

How could the title of this book not hook you? Power. Women. Heart. So, maybe I was biased from the beginning. Honestly, I was hoping that the book would be “all that.” It was.

By page fifteen, not having gotten past the editor’s introduction, I was pulsing with energy. I was ready to get my lazy butt up off the couch and pitch in. I was jonesing for my old “activist” days when I used to join in pro-choice marches and volunteer with the NW AIDS Foundation handing out condoms on the streets of Seattle.

Moonrise: The Power of Women Leading from the Heart is a collection of essays that were originally presented as lectures to attendees of the annual Bioneers conferences. Nina Simons, the editor and a co-founder of Bioneers, describes it as “a nonprofit educational organization that highlights breakthrough solutions for restoring people and planet.” These essays cover a vast range of topics from truly knowing one’s self to finding your inner leader to mentoring, partnering, and imagining innovative solutions to some of the world’s most pressing problems as women see them. Some of the authors are household names such as Alice Walker and Julia Butterfly Hill, and others are simply women who are spending their energies learning from and teaching others to live authentically and purposefully. They will undoubtedly be household names in their own right soon.

Each and every essay contained in Moonrise is inspiring, touching, and revitalizing to the reader. Not all of the authors are women, but each and every one of them celebrates the unique gifts that women bring to the world in the form of their vision and perspective as caring, compassionate individuals who have found ways to rise above feelings of powerlessness and living in the minority to honor their communities, societies, and, indeed, the entire planet.

There are humorous tales of women fumbling their way through, led only by their instincts and their resolve to make a difference, painful stories of loss, and everything in between. This book truly offers something for everyone and I, for one, have decided to take the bait. If there are this many strong female voices out there clamoring for a change in the way we approach our collective challenges, it’s the least I can do to join in the march.

Review by Kari O’Driscoll

Maria's Story: Twenty Years Later

By Maria Guzman



Earlier this month, I saw a twentieth anniversary screening at The Mission Cultural Center for Latino Arts in San Francisco. Before attending, I had an abbreviated understanding El Salvadorian politics, and the subject of the documentary, Maria Serrano. Filmed in 1989 by two young American women, Maria's Story: A Documentary Portrait Of Love And Survival In El Salvador's Civil War reveals the daily struggles and heartbreaking memories that lay in the wake of the political unrest that ravaged her town in El Salvador. The film chronicled a two-month journey for all involved. Ultimately, the film unfolds into a narrative about Maria’s role as a leader of a Farabundo Marti National Liberation Front (FMLN) guerrilla camp, which was about being a mother, wife, and a community member.

Feminist Review recently spoke with the directors of the film, longtime friends Pamela Cohen and Monona Wali.

Were there moments during the filming of Maria's Story in which you felt that there were advantages to your position as women directors?

Pamela Cohen: I don’t know if a male director would have been drawn to Maria in the same way we were. We chose to put a female face on this war; we wanted to address the Che Guevara guerrilla image, because that’s not who was on the front lines.

Monona Wali: Because we are women, we were sensitive and committed to the human side of the story. There were times when we were drawn to the bigger side of the war, but beyond knowing the statistics, the instinct to stay close to Maria and stay close to her came from being women and cementing the relationship with her, which was affectionate, playful, and serious. I don’t know that a man would have been able to get that close.

Emeteria and Maria, two members of the community, discussed losing their daughters in the war. Hearing the details of how young women were victims in violent attacks in El Salvadorian towns effected me greatly. What were those moments like for you as directors?

Monona: With Emeteria, we had gone first to be with her in ’88 and lived in a repopulated community named Guarjila that we were going to use as a base camp. We had equipment, and it turned out that there was a huge military offensive, and we were stuck in a village. Emeteria was taking care of us; she was our mother during that time. It was the day of remembering the dead. She had come to San Jose Las Flores to be a part of that and knew us. We asked her, “How do you feel about this day?”

For Maria, it started in the bathing scene, and it came up spontaneously. We just wanted to get a scene. Every time Jose showed up, we turned the camera on because we didn’t know when they were going to be together again.

Pamela: But then we asked about it, and we knew we had to sit down with her to talk about it—that was separate. She was out of the country when Ceci was killed in ’87. That may be why she wouldn’t let go of Mijita (her youngest daughter) and made her a personal radio operator for the rest of the war.

How did your awareness about some of the issues raised in the film affect your work?

Pamela: It was six or eight months before we started editing. We thought, “After what we’ve been through… how can people not care?” We just felt like everyone had to know and were determined to finish it.

Cross posted at Gender Across Borders

Veiled Voices

By Brigid Maher
Typecast Releasing

When people think of Muslim leaders they rarely envision women; however, many women are have made their mark as religious leaders in Islam. Veiled Voices presents the lives of three such women, allowing them to tell their own stories filled with struggle, triumph, and irony.

The film centers on Ghina Hammoud from Lebanon, Huda Al-Habash from Syria, and Dr. Su’ad Saleh from Egypt. Each woman is making waves in her country as she carves out milestones in faith and society. These women are teachers who get their messages of Islam and women’s strength across through lectures, television appearances, one-on-one lessons, and living their lives as examples to others.

The film begins with the women telling about their past, how they become religious leaders, and what they believe makes them who they are. Next, we get to see them in action as they talk to students and speak on television. The film concludes by looking at the next generation, the daughters of the women.

The interviews with the women's daughters and husbands were important because it shows how equality within the home is very valuable. All of the women demand the men in their lives support their passion and refuse to settle for anything less. This is evident in Ghina’s standing up to family and societal pressure to divorce an abusive husband. The decision and its outcomes weren't easy, but it is apparent that this was the right decision for her.

The film shows how institutional sexism prevents speedy social evolution. One example in the film is when Sheikh Tantawi, Grand Imam of Al-Azhar, says it would be fine for a woman to be appointed as a mufti, a Muslim scholar trained to interpret Islamic law, so long as she is qualified through education and practice. However, it is revealed that when Dr. Su’as Saleh submitted an application, she only received one vote from an all-male panel. It is wonderful to celebrate these strong women making a difference in the Islamic world, but there is much progress to be made and it is important that the film highlighted the outright sexism these women face.

There wasn’t much discussion in the film about these women's thoughts on oppression and violence done to women in the name of Islam and based on misogynist interpretations of Sharia. Many people see this as a human rights abuse, and I would have liked to hear what these women think about these interpretations and the outcries to stop these violent acts. The personal stories of these Muslim women are inspiring, and their determination to be positive role models is clear. Veiled Voices is a good start to a conversation by and about women in Islam to change misconceptions held about the role of women in the religion.

Review by Andrea Hance