Showing posts with label Latina. Show all posts
Showing posts with label Latina. Show all posts

Violence Against Latina Immigrants: Citizenship, Inequality, and Community

By Roberta Villalón
NYU Press

I generally do not start reviews with blanket statements, but I simply cannot say enough positive comments about this book. As a student of Gender & Sexuality studies, as well as community activism and Hispanic studies, I was greatly interested and inspired by this thoughtful, critical, theory-meets-activism approach to the difficult and devastating reality of violence against Latina immigrants.

The author, Roberta Villalón, is a professor of Sociology at St. John’s University in New York City, where she is active with both the Committee for Latin American and Caribbean studies and the Women and Gender Studies Program. According to her author biography, Villalón was inspired by the corrupt, and often deadly, political regime of her childhood in Argentina, and has since dedicated her professional career to studying the harms and realities of inequality on multiple levels from institutionalized corruption to domestic abuse. With her academic grounding in political science, international relations, and sociology, as well as her Latin American/Latina focus and affiliation with various immigrants and women’s rights organizations, Villalón brings a fresh, critical perspective to the discussions of resistance in social movements, particularly activist feminist grassroots discourse and efforts.

In Violence Against Latina Immigrants: Citizenship, Inequality, and Community, Villalón’s writing/research process was mainly based on her work on the ground as an activist researcher with a legal nonprofit organization that offers free services to individuals who have suffered from domestic abuse. The clients were typically female, undocumented immigrants, a population she notes as particularly vulnerable to violence: domestic, structural, cultural, and symbolic. In her book Violence Against Latina Immigrants, Villalón combines her observations and struggles with individual clients and their processes with the complicated bureaucracy of our national immigration system, with personal interviews with staff. Even though well intentioned, the staff and general organization were often limited by funding and legal restrictions. They were therefore, as Villalón claims, forced to work within and, unfortunately often perpetuated, the oppressive cycles and systems of structural inequality, specifically in their construction of ‘good’ and ‘bad’ clients. Although the organization started from a radical, revolutionary grassroots project, many of the employees seem to be jaded, and accepted the limitations, an unfortunate although (arguably) sometimes necessary common ideological shift for non-profits when the practical issues such as funding, staff, and helping people in the immediate present are realistically addressed.

Villalón notes these frustrating contradictions and dilemmas that further the cycle and reproduction of inequality, and calls for more advocacy, networking between community organizations and policy changes that would aid this particularly vulnerable population. She calls for people, especially those with the desire and power to change policy, to “focus on the ways in which (these women) experience exploitation, marginalization, powerlessness, cultural imperialism and violence” in order to make the “invisible, visible," while also avoiding the equally oppressive victimization narrative that would further deny their agency.

Overall, the text proves to be a critical study into the complex intersection between immigration, citizenship and violence, particularly in regards to race, gender, heterosexuality, and nationality, and I would recommend to all interested in women’s, immigrant, Hispanic, or general sociopolitical studies.

Review by Abigail Chance

Waking Up in the Land of Glitter: A Crafty Chica Novel

By Kathy Cano-Murillo
Grand Central Publishing

Waking Up in the Land of Glitter is Kathy Cano-Murillo's first foray into the world of novel writing. The author, known to her crafting disciples as "Crafty Chica," already has a well-established fan base because of her popular crafting books, web series, nationally syndicated newspaper column, instructional craft cruise to Mexico, and product line.

A few pages into the book, I could have sworn it was written by the same author as Houston, We Have a Problema. I quickly detected the same seemingly recycled character types: the young fiery Latina with no sense of direction, and her suave Latino love interest, always so cunning and elusive. Admittedly, I’ve grown sick of these caricatures, but I’m happy to report that Waking Up in the Land of Glitter scores much higher marks than its doppelganger.

Murillo’s first novel tells the story of Estrella (Star) Esteban, the wacky, spoiled daughter of two of Phoenix’s most prominent proponents of the local art scene. Star's parents own La Pachanga, a restaurant/community center/art space that also happens to be where Star works, doing what can only be described as a half-assed public relations job.

Crafty Chloe, the villain for the first two-thirds of the book, first comes into Star’s life when she interviews her after someone defaces a popular mural at La Pachanga, which happened to be created by local artist and Star’s sort-of-boyfriend, Theo Duarte. What Chloe doesn’t know is that Star did the defacing herself after one too many tequila shots.

What ensues is not original, groundbreaking, or thought provoking—it’s simply cute. After Theo and Star's parents find out she’s the one that ruined the mural, Theo breaks up with her (though they were never really together; "it’s complicated"), and her parents fire her, making her sign a contract saying that if she doesn’t get her life together she’ll have to move out of their home and stop working at their restaurant.

It is during this time we get into the cheesy coming-of-age tale, in which Star bands together with her best friend Ofie, an obsessive crafter with no crafting talent, Chloe, and a young gay teenager named Benecio to create centerpieces for what’s called the Crafting Olympics. It is also around this time that Star becomes an artist after talking about it for years, despite never picking up so much as a pen.

Despite clichés, bad dialogue, and not-so-intriguing characters, I was pretty hooked on this book and read it in just a few days. I suppose I’m a sucker for stories revolving around charmed lives—you know the type: it always works out for them in the end. And for Star, it all works out: She has an art show at her parent’s restaurant and sells every piece within hours, Theo proposes in a ridiculously elaborate way on her birthday, and she has enough money to buy a property on the same lot as La Pachanga so she can open her own crafting studio.

As I get older, I realize that not every book I spend time reading has to be an earth shattering, groundbreaking, eye-opening event. What you get with Waking Up in the Land of Glitter is a cute though trite little tale that will leave you wishing real life worked out as seamlessly as it does in books.

Review by Tina Vasquez