Corrin Campbell is a Wisconsin native who enlisted in the US Army shortly after graduating high school. A combat-vet and former member of the 1st Calvary Division, Campbell trained at the Armed Forces School of Music in Norfolk, Virginia, before beginning her career with the Army Materiel Command Band. As a US Army trained bassist, Campbell has performed for troops around the world before joining forces with her current band, The Election, to create and perform original music. Unfortunately, Campbell’s biography is more interesting than her music.
Game Night is fourteen tracks of high energy, rock complete with grating guitar, wrenching vocals and the occasional pop-infused number. Campbell has drawn comparisons to Heart, a band she is said to idolize, and while the similarity is apparent, so is the irrelevance. Pioneers of female fronted bands, backed by aggressive, guitar driven rock, Heart was at the height of their career in the late seventies and into the eighties. Their last commercially successful album was 1987’s Bad Animals and the current generation is likely more familiar with Fergie’s cover of “Barracuda” than Heart’s original recording.
The Wilson sisters also feature as inspirations, but Campbell’s efforts are way more imitation than influence. Though some might view this as nostalgic, it is more aptly described as dated. Game Night would be more accessible if Campbell had succeeded in breathing new life into a sound she finds inspiring, rather than attempting to re-create it.
Laden with pastiche notwithstanding, Campbell is clearly invested in her craft, utilizing her songwriting to explore her experiences over the years. As she states on her website, “These songs are my attempts to be true through the trials of life and find a healthier way to get through these personal complications.” In a world full of man-made pop idols, Campbell deserves recognition for creating music she loves, with people she respects and on her own terms.
Review by Alicia Sowisdral
Game Night is fourteen tracks of high energy, rock complete with grating guitar, wrenching vocals and the occasional pop-infused number. Campbell has drawn comparisons to Heart, a band she is said to idolize, and while the similarity is apparent, so is the irrelevance. Pioneers of female fronted bands, backed by aggressive, guitar driven rock, Heart was at the height of their career in the late seventies and into the eighties. Their last commercially successful album was 1987’s Bad Animals and the current generation is likely more familiar with Fergie’s cover of “Barracuda” than Heart’s original recording.
The Wilson sisters also feature as inspirations, but Campbell’s efforts are way more imitation than influence. Though some might view this as nostalgic, it is more aptly described as dated. Game Night would be more accessible if Campbell had succeeded in breathing new life into a sound she finds inspiring, rather than attempting to re-create it.
Laden with pastiche notwithstanding, Campbell is clearly invested in her craft, utilizing her songwriting to explore her experiences over the years. As she states on her website, “These songs are my attempts to be true through the trials of life and find a healthier way to get through these personal complications.” In a world full of man-made pop idols, Campbell deserves recognition for creating music she loves, with people she respects and on her own terms.
Review by Alicia Sowisdral